A high-fidelity 19th-century reproduction of Titian’s revolutionary Renaissance masterpiece
The composition is divided into three planes: the agitated Apostles below, the Virgin Mary rising on a cloud surrounded by cherubs in the middle, and God the Father serenely waiting above. Titian’s original signature “TICIANVS” is visible on a stone at the base.
Marian theology; Venetian High Renaissance style; Assumption
Documents the painting while it was housed in the Royal Academy of Fine Arts in Venice, before its return to the Frari Basilica.
Detailed descriptions of paper quality, margins, and preservation state.
Direct history of the collection’s origin.
Expertly packed and insured delivery to international collectors and institutions.